In print I work mainly on linocuts and drypoint pieces.

My prints are the end result of much thought and few actual drawings, my sketchbook is somewhere inside my head and sometimes not even I can locate it.

Each work needs a hook that can make me believe that the idea is a worthwhile one and that can be difficult. In the past I have used the British ancestral, archeological landscape; the state of Tibet under Chinese dictatorship and ideas devised from Samuel Palmer to help me achieve an outcome.

At the moment I am seeking a new starting point.

Email: paulhudson.artist@gmx.co.uk